Splice online beat maker9/17/2023 ![]() ![]() Selecting more than one sample illuminates a ‘download all selected’ type of button, and there’s also a randomizer sort button that will show you a random selection of sounds if you like. You can flag samples, download them directly and add them to a Repack by using a shortcut or dragging and dropping. This all works from mobile devices, too, and since you’re signed into your account, stuff that you buy or organise on the move will be reflected on your studio machine as well.įor any individual sound, you get a preview button to play it, and triggering a sound will cause any other playing sample to stop, which is really helpful in saving time and confusion. The tagging seems thorough and the loading fast. This all works extremely quickly and makes a lot of sense, which is vital if you’re going to base your system on searching for specific sounds. As well as the obvious tags, you get stuff such as one shots and loops, and the ability to filter by BPM or key. From here, or from within a pack, you can filter down still further by selecting or deselecting tags at the top of the section. Then there are genre-based categories: dubstep, house, techno and the like.Ĭlick into any of these and a selection of packs can be explored, each one curated and themed, and with a full demo track playable by clicking on it. At the top level, you have multiple search options and you can search everything using keywords, or filter down by categories such as drums, percussion, pads and so on. The process of searching for samples is really slick and benefits from a web interface that’s very responsive, laid out clearly and easy to use. Repacks can be shared online with other users, a bit like curating a playlist for Spotify, and Splice has some artists already doing this. The samples are downloaded when clicked, but any Repacks that you create online aren’t mirrored as named folders on your computer, which would be a nice addition. This works well, though collections don’t seem to sync to your computer, so they’re easier to manage online. You are encouraged to manage sounds in your online account via a browser and it’s possible to create ‘Repacks’, which are essentially collections of sounds that you can manage manually: electro kicks, piano loops and so on. Files can be dragged from the Splice app straight into your DAW. A folder is created on your computer where downloaded files are stored, and you can audition and search them here, as well as revealing them in the file system. ![]() The Details In order to download sounds, you have to install a small application, and this is the same one that is used for syncing DAW project data, though the two tasks are separate things. You can also choose to pay $13.99 a month and get 300 samples, though it’s not currently possible to pay extra if you want to go beyond this in any given month. If you do cancel, you keep the samples you have already downloaded but lose access to download any new ones. It will also probably have the effect of making you consider more carefully which sounds you really do want rather than just downloading thousands without thinking. This limit is to stop people joining for a month and downloading the entire database before cancelling, which wouldn’t be very fair. You pay $7.99 a month, and for that you get 100 download credits, with samples costing one credit each. That requires a lot of work, but it’s what Splice has done. The only alternative to selling whole collections is to make a searchable, micro-payment driven online system. The problem of having to buy a 3GB sample pack to get the 300MB of samples you actually want is a real one, though it’s not really the developers’ fault. The idea, in short, is to let people search, audition and buy only what they want. This is similar to the challenge faced by the recorded music industry, and Splice’s answer is not unlike the way that Spotify or Apple have responded to people’s changing music-buying habits – not to mention a way to try to discourage piracy. Worse, frustration with this can lead some people to pirate sample collections, which is not hugely difficult if you’re determined to do it. The others were effectively useless to them. The developers say that they found people complaining that they would buy a sample pack and end up using only a fairly small percentage of the sounds inside it. ![]()
0 Comments
Leave a Reply.AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |